Most of the time, I am happy with the furniture I have. My hodgepodge home of thrifted finds works for me. Nothing is too precious. Nothing would cost much to replace. But once in awhile, I crave a really nice piece of furniture. I think to myself, Yes, I WOULD like that one-of-a-kind table AND that super-sexy designer chair. 

Then I remember that I have no money and my house is already full. And then I feel a little sad. Maybe one day I'll win the lottery and become an entirely different animal. (Maybe not, but a woman can dream, right?) 

Anyway, the next best thing to buying, is, of course, sharing. And that's what today's post is about. I'm sharing with you the furniture of local Toronto dude Ian Devenney, who is a friend of my friend Emily. I've never even met him, but I'm in love ... with his furniture. His studio is called Foxwedge and his pieces are super-lovely.

Take a look at just a few:
This is my favourite piece in Foxwedge's current portfolio. It's called the Hawthorne patio table and ... ugggh. I need it. I need it bad.
This is a coffee table. I don't know if it has a name, but according to the Foxwedge site, it "will be shown at Digital Promises, a participating exhibition in the 2014 Toronto Design Offsite Festival."
Finally, this piece is called the Trifecta Low Table. It's a bit mid-mod, but contemporary too. 

Some pieces in Devenney's portfolio are still in the prototype stage, but if these finished numbers are anything to go on, I expect more excellent things in the future. And one day, maybe I'll even meet the guy. If and when I do, I'll tell him how his furniture makes me wish I hadn't wasted my time on an English degree, learning to read books, while folks like him were learning to make amazing things with their hands. Stuff like this  makes me want to rethink my entire life.

Check out Foxwedge, here! 
 
 
Hey dudes. So I've got myself into a bit of a pickle. I found this mirror on the Anthropologie website and talked it up to some friends who now really want it. But Anthro tricked me! Despite giving me a pop-up that promised shipping to Canada, it turns out they (it) don't/won't. Or rather, shipping to Canada is available in a limited way. A lot of big items aren't eligible. 

So I called every Anthro in the city. Sold out. Everywhere. I double checked for human-error and called the main American Anthropologie telephone number and found out that there are definitely none available in Toronto at all at the moment, and that no more are expected to be restocked in Canada. There are also none in Buffalo, so driving down to get one is out.

If I had an American address, I could order one online and have it shipped there, then perhaps have it driven up, but that seems like too much rigamarole. And besides, I don't have an American address.
So my question to you is this: What should I do? I want a French-style mirror like this one, and I can't seem to find one anywhere. It's a BIT like a Louis Philippe-style mirror, but more delicate. I can't find anything that compares or captures the same feeling. Do you have any ideas? Anywhere in Toronto that might have something similar or in the same vein? Y'all are very stylish and I could use your input.

Thanks peeps! 
 
 
So over the past month or so, I've been helping a couple of friends decorate rooms for their two little daughters -- ages 4 and 2, respectively. 

These are two VERY adorable little girls. And the house they live in is beautiful. It's a classic "Annex-style house" (that Victorian/Edwardian red brick and stone) but renovated to have a very sleek and modern interior, fused with some restored/classic touches. It's quite unique and very striking. A posh architect did the remodel. 

The family is very busy, and we're pals, so they asked if I could help them with a little shopping for the bedrooms. They just wanted some more homey touches to help counterbalance the sleek, modern stuff. After all, it's a family home. 

It's a straight decorating project, and really, they're picking everything. I've just given them a few ideas. (Don't worry, I'm not going to start calling myself a designer now or anything!) But I wanted to share where we are so far.
Before I arrived on scene, the walls of the first bedroom were painted what looked to me to be a muted chartreuse. (Later, the family told me the colour was meant to be like the interior of an avocado, and that is certainly a clearer way to describe it.) The floors are a slim-plank hardwood -- oak, I think. Matte, not glossy. And the doors and frames are a creamy white, which can be seen in the photo above, which I snapped with my iPod. I'm not sure if you can tell from the photo, but the light in the room makes for a lot of variation on the tone of the colour, which is why it looks darker on the right wall than on the left, around the door. 

There is very little colour in the house otherwise. White and wood tones rule. 

The family chose furniture from Pottery Barn. It's all very well-made, classic stuff. The bed is a double, there's a dresser, and a bookshelf as well. All white.

I admit, when I first saw the walls, I was a little uncertain. It seemed like a tough colour to work with. Initially, I was focused on choosing wood-toned furniture, but once the family went with white painted pieces, bedding became the most important thing. 

Googling offered up inspiration shots that featured the wall colour in various states of intensity, often paired with bits (or "pops" as they say -- stupid phrase) of other brights.
What colour pairing might be best?

There I was, thinking and Googling, and thinking and Googling, and thinking and Googling some more, when I came across the old Bob Hope movie Louisiana Purchase (1941). I love old movies, and often find myself putting Turner Classic Movies (TCM) on in the background while I work.
Anyway, Irene Bordoni in that coral/chartreuse knot-waisted dress is BOOM, right? I loved her chunky emerald/gold jewellery, too. As a colour-scheme, I thought it could really work.

So. Back to shopping. While I suggested a bunch of different stuff -- deep navy blue bedding, turquoise-trimmed bedding, yellow bedding, etc., here's the bedding I found that I liked best: 
I have my issues with Anthropologie, like a lot of people do. I wish they wouldn't steal designs from independent artists, for one thing, but man ... I love this bedding. It's called the Zocalo Embroidered Quilt. The family is still deciding, but I think I'm firmly behind it. And that dress is the thing that first turned my head.

Anyway, just thought I'd share. That's where we are.
 
 
So, yo. I found an old dresser on the street and lugged it home. Or rather, I took out the drawers and rolled those home in my bundle buggy while Nathan lugged home the rest of it. (He is a big strong man with a good attitude about my random garbage picking and I am glad to have him around most of the time as a result.)

Anyway, here it is:
I want to make it over. It's a wood piece, yes, but not old or particularly well-made. There are no dove-tailed joints or anything. And it's been well-loved by kids (note the stickers), so I feel absolutely fine about painting it, but I'm not sure if I want to just paint it, or if I want to do something fancier or more fun with my makeover. And I have no idea what colour to do. I was thinking red, but I"m not wedded to that idea. The hardware is, of course, a nonstarter. I wouldn't even consider keeping it.

At this point, the only thing that I don't like about the piece is the weird groove in the bottom drawer. Can you make that out? Sorry about the bad quality photo. I snapped it with my iPod. Is that groove going to be a problem, I wonder?

(Please don't mind the bits of psychotic mess you see in the surrounding space, either. My apartment is a loony bin of piles and junk right now and I don't even want to talk about it. Please don't judge me.)

Anyway. What should I do? Solid paint? Multiple colours of paint? Paint and wood? Decoupage? Something else? THERE ARE SO MANY OPTIONS. This piece will probably go in a closet, honestly, so it will be pretty in a secret-and-just-for-me sort of way, so I do pretty much anything with it colour-wise, and that openness is giving me pause. I just don't know what I want.


Here are some inspiration shots I found online. What do you think? What would YOU do if you were to make over this dresser? And what can or should I do about that annoying groove?
Weigh in, please. I have no mind of my own on this one.
 
 
I know I haven't been "chic" blogging much. I KNOW, okay? It's just that my house is decorated already. I am cheap. And I feel like it's nutso to change things for no good reason. Still, I can't seem to stop window shopping. I look at fixer-upper houses in small town America that I can't afford, even if I was American. I look at clothes I don't need. I look at paint samples. I look at furniture that wouldn't fit in my apartment even if I had none of the crap I already have. I look at Craigslist. 

And damn ...  Craigslist Toronto sure has become depressing. 

What has happened, you guys? WHAT HAPPENED? Just a few years ago, I was posting about all the "bargain" finds I was coming across. And now? There aren't any. I mean, maybe there are, but I haven't seen any real bargains in awhile. The prices are absolutely out of control and it's really fucking depressing.

This is not to say that these items aren't "worth" what they cost (although in some cases they're not), I am just lamenting the disappearance of a bargain. Not everyone is a dealer! What has happened to convince Joe Average that the couch from his grandfather's basement that he just inherited for free should be priced exactly as it would be if it was housed in a store on Queen West? And what is it about midcentury stuff that makes it command top dollar? Anything "teak" whether truly teak or not, comes at a premium. What overhead are these people trying to cover, exactly? Arg. Am I way off base here? I don't know. Feel free to criticize if you like. I can take it. (But can we agree that it is weird and unnecessary to make the word TEAK and only the word TEAK in all caps, all the time? WE AGREE THAT WE ALL UNDERSTAND WHAT TEAK IS, EVEN WHEN IT IS WRITTEN NORMALLY? Yes? Okay, then.) 

So, anyway, here are some things I've recently spotted, and a few I like, that are nonetheless too expensive for a bargain hunter like me to even consider. One day, maybe I'll move away from Toronto and rediscover the world of bargains. Until then ... I sigh. Click the images to go to each respective listing.
Here we have a midmod magazine holder for $125.
Here is an admittedly lovely Danish modern love-seat for $1650.
Here's a trunk with some legs attached, making it a coffee table. It costs $345.
Here are a couple of "lounge chairs" with burnt-orange upholstery for a mere $1195.
This sofa is $500 ($900 if you want the matching chair and love-seat).
This green wonder is $700.
And of course, here we have a lovely credenza for the bargain price of $945.

Like I said, tell me I'm being unfair here. The sad thing is, this stuff will probably sell in no time. It's not like high-priced items are languishing. Stuff I found for this post just a couple of days ago is already gone. Stupid Craigslist.
 
 
Hey guys. Have any of you seen The Listings List? It's basically a Tumblr blog filled with curated picks from Toronto's Craiglist and Kijiji offerings. 
I've been following it for a few weeks and here's what I think: There are pros and cons. Sure, the curation is good. The items featured on The Listings List are basically the coolest, most designer-friendly things available on Craigslist/Kijiji (in the area) and following the TLL is therefore fun and could be a serious time saver. No more slogging through mountains of crap to find the best stuff, right?

But... BUT...

Isn't slogging through mountains of crap kind of what online garage sale-ing is all about? I mean, if someone else does the work for you, is the hunt compromised? Is the find as satisfying? Isn't it better to earn a deal rather than having one handed to you? 

I'm not sure.

Besides that, TLL might not be as practical as it seems. Great items worth curating have a tendency to go fast, and once something has been featured on the site, it goes even faster. I've already experienced seeing more than one great thing on TLL, only to find it already sold. 

Anyway. Here are some of my favourite finds, found on TLL just today. At the time of this posting, I think they're all still available.
Anyway, what do you think? Do you love The Listing List or would you rather do the hunting all by yourself?
 
 
So, I was invited to the media breakfast/preview of the One Of A Kind Christmas Show which kicked off down at the Ex this morning. (I don't know why I get invited to this sort of thing, because I am a big nobody. And let me tell you, watching the vendors get excited by my media pass and fancy camera kind of broke my heart, but I digress.) Invited I was, and went I did. I mean, the show costs $12/$14 (online/in-person) to get in, and as press, I could get in for free. Between that and the offer of a free doughnut, I wasn't going to say no.

And for once, I did the show right. I went up and down EVERY AISLE IN THE PLACE. My feet are currently incredibly sore and I'm a little grumpy, but I feel like I saw everything and took note of everything that really caught my eye. And I took photos of all of it, which I will now share with you, but first, a bit of a caveat:

As huge as this post is, it features only a small fraction of what's on display. (I believe there are more than 800 OOAK booths/vendors this year.) My personality means I'm drawn to decorative objects, fine art, and that sort of thing. Things I generally avoid, and that you won't likely see here, but that are in abundance at the show: kids' stuff, woollens and knits, clothing, most wood and leather goods, art glass and most pottery, food and edibles. I also steered clear of most of the cutesy stuff (felted creatures, owls, bunnies, and the like), most of the jewellery, most of the furniture, and all of the body/beauty products. All of that stuff is amazing in its own right, but I only stopped to photograph the things that really jumped out at me, which may not be what will jump out at you. So... there. End caveat.

Now, some pro tips:

  • Work methodically. I saw every booth, starting at the east end of the centre (end of the alphabet) and moving west, winding up and down every aisle along the way. I know it seems a little anal, but making a plan for the path you want to take (and sticking to it) is a smart move. The show is overwhelming otherwise.
  • Wear comfy shoes. SERIOUSLY. I was wearing Toms and my feet are still killing. (I saw a couple over-zealous young "journalists" in 4-5 inch heels, and I bet they want to kill themselves right now.)
  • Give yourself a good three hours for your visit. Or even a full 1/2 day. It's better not to be rushed and if you want to see the whole thing, it's going to take you a long time. (Note: if you're bringing babies or little kids with you, as I noticed many did... well, you're crazy. What can I say? The rules don't apply. You may need 12 hours. Who knows?)
  • Eat, hydrate and let yourself rest from time to time.
  • CHECK YOUR COAT. It's hot as heck in the Direct Energy Centre. I have no idea why. Coat Check costs $2, but it's worth it.

Okay, enough with the tips. Are you ready to see what I saw? HERE GOES!
Stewart Jones: Booth R-57
These fine art paintings by local artist Stewart Jones were the very first thing that caught my eye. I stopped to snap this pic as I made my way along the back wall (before even making it to the first official aisle). Jones does "urban landscapes" and I'm sure his work doesn't come cheap, but I like the realness of his subject matter. Very Toronto.
Daniel Pollak Accessories: Booth T-54
I know I said I steered clear of most of the jewellery, but this booth was so glittery, it caught my eye immediately. So decadent, so sparkly, so over-the-top. It's fashion/costume jewellery, rather than fine jewellery, but I enjoyed it.
Kat Kaland: Booth Y-62
Artist Kat Kaland makes toys, illustrations, accessories, etc. She told me when I popped by that she's moving away from the toys and focussing more on art, and having seen the art -- paintings incorporating doll parts -- just my kind of creepy -- I think she's making a good decision. The pieces shown here, with the hands and the little 3D girl figures, go for about $200.
Moon Rox: Booth Y-20
Again, jewellery is hardly my thing, but it was early in the day and this gold-toned costume statement necklace caught my eye. Moon Rox is owned/designed by a woman named Monique V. Chan. 
Noelle Hamlyn: Booth W-43
Hamlyn has been at the OOAK show before, showing off her repurposed art/purses made from books and magazines, but she's also doing framed artworks now, using the insides of the books (paper, illustration, etc.) as opposed to the outsides. Now, in general, I'm a "READ BOOKS, DON'T CUT THEM UP" sort of person, but I like what Noelle does nonetheless. Her bigger art pieces are about $165, while the smaller ones are about $90.
iDENTITY: Booth W-09
I stopped at this booth because of the hipster-factor. Megan Irish makes these pillows from recycled blankets (vintage Pendletons, The Bay/HSBC classics, army blankets, etc.) hipsterified with prints on top. Her company makes tees and other apparel as well, I think. The pillows are $48 to $108. (The HSBC ones are more pricey than the others.) 
Heyday Design: Booth V-09
Hailing from Vancouver, Claire Madill makes these neat ceramic mason jars. You could achieve the same effect by painting a glass mason jar with flat paint, but nonetheless, these are nice as far a ceramics/porcelain go.
C Comme Ca: Booth V-43
Artist Cindy Cantin makes these bags and wallets from leather and wool felt and I thought they were super chic. 
Dapila: Booth T-15
This stuff looks like ceramic, but it's mostly made of cement, which is sort of neat. I know body-parts and surrealist stuff isn't everyone's bag, but I sort of love it. I like the idea of using some of the finger sculptures to hold everyday objects like makeup brushes or razors. 

Eric Seguin: Booth S-53
This is not a booth I'd usually stop at, filled as it was with knives and such, but I a few natural skulls caught my eye. These are otter, fox and mink, respectively. I have no idea why I like 'em, but I do.
Felt Factory: Booth R-19
These felt, mounted animal head pieces by artist Sabine Alpers are very well done. I love natural animal stuff (vintage, generally) but these might please the vegan in you if the real deal creeps you out.
Laurie Sponagle: Booth Q-31
These AH-MAZING charcoal drawings look like photographs. No kidding. That's how amazing they are. Artist Laurie Sponagle really stands out. Bigger pieces are priced at $1600, but there's a nice range of sizes available and the smaller pieces start at $250.
Tammy Shane: Booth Q-24
Tammy Shane is another stand-out fine artist exhibiting at the OOAK show. I would have bought one of her pieces in a heart beat if I could have. Gorgeous. Truly. I mean, look at those owls! Those birds! That sky! Love.
Yves' Drop: Booth N-06
Vintage neckties made awesome? Just my sort of thing. I kind of wish my husband would wear a tie every day. (And if he did, I get him a few of these babies.) 
Tat Chao Design: Booth N-34
These glass candlesticks were pretty fabulous - substantial, yet delicate at the same time. Very unique. Tat Chao is a nice new addition to this year's show.
Sarah Tacoma: Booth L-23
Photography artist Sarah Tacoma caught my eye. I love how she captures stark branches and winter trees. And her pieces have rustic wood frames/mounts that I liked.
Sarah Hillock: Booth K-24
Sarah Hillock's huge paintings of farm animals (mostly cows, from what I saw) done on mylar, were maybe the most striking, unique thing at the entire OOAK show. I've never seen anything like Hillock's work in person before, and I have to say, I've never wanted a huge painting of a cow more. I mean... they're cows. And I'm a city girl. Yet I want one. Immediately.
Pepper Mills: Booth G-03
The name Pepper Mills kind of speaks for itself. These handmade, OOAK wood objects by Cam Lavers Designs Inc. aren't new to the show, but I've always liked them.
Him by Shima Itabashi: Booth D-5
I know I said I was going to stay away from cutie-pie felted things, but this booth's wee decorations spoke to me more than the works of other felt artists doing similar things. There's something really authentic and adorable about Him pieces and designer Shima Itabashi seems like a sweetheart. Her English isn't perfect, but that just adds to the charm.
Ateliers des Cent-ans: Booth C-36
This booth was a bit spare, but what I saw of the porcelain and wood pieces inside definitely left an impression. The stuff I loved most was delicate and white, with slim blue nautical patterning. Very chic.
Grace Eunmie Lee: Booth C-44
Some of Grace Eunmie Lee's wee white ceramics are highlighted with bits of shiny metallic and colour, but her monochrome pieces are my favourites. I love their small stature and weird, offbeat cuteness. Some of these wee works are merely decorative, while others are functional (salt and pepper shakers, for example).
Evelyne Rivest Savignac: Booth I-37
Interestingly, while I initially passed this booth during my official "go down every aisle" run, I didn't stop at it the first time around. I'm not sure why. Maybe the crowds were too thick and I didn't get a good look. Happily, I needed to hit a bank machine before leaving which took me on a second trip down row "i" and that's when I noticed Evelyne Rivest Savignac's pretty ceramics. The artist told me she's been a vendor at the show for the last eight years, so if you've been in the past, you may remember her. I was especially charmed by her little leafy bowls. They have the vibe of something sold at Anthropologie (but are much more authentic, of course). 
And that's IT. Honestly, I saw some other stuff I liked (bow-ties by Genuine Article, for example.) but I just can't write about any more. This is already the most unwieldy blog post I've ever written. 

Go to the show. Enjoy. Support your indie artists and crafty friends. And remember, wear comfy shoes. And if you're not too exhausted afterwards, tell me what you got! 

P.S. Sorry about the lighting in some of these shots. I'm no photographer and since artists provide their own light at each booth, dimness is an issue.

P.P.S. Shout-outs to my web friends Jen @ Rambling Renovators and Staci @ Switch Studio for letting me talk their ears off at breakfast, Pam @ Cherish Toronto for being my favourite person to run into at these things, and House & Home magazine staffer/editor Margot Austin (who I may or may not have terrified when I declared "I'm obsessed with you!" - because I'm the sort of weirdo who says things like that, apparently). Sigh.
 
 
Okay, friends. I need your help.

See, I have this sofa. It's deco-era yellow vinyl number that I bought for only $100 (plus $30 in shipping) off Craigslist back in 2007. It has served me well and fits perfectly in our small living room.
It's a great little sofa. Solidly structured with foam and innards in good condition. Problem is, the vinyl is going. You can't tell in the pictures, but on the seat cushions, it's cracked and peeling like a mofo. It doesn't look good.

Now, here is my dilemma: I would love to keep the sofa. I've looked into having it reupholstered, and I estimate it will cost about $1200 to do so. Considering our personal finances, this is a LOT of money. For between $300 and $400, we could reupholster just the seat cushions and leave the rest of the frame as is, but again, it's a pretty pricey prospect.

I'm torn. I'm torn because I spent so little on the sofa to begin with, so perhaps spending a lot now isn't such a big deal. Then again, I could get a new sofa for less than reupholstering, and a new/old Craigslist model for WAY less. Financially speaking, a different sofa makes more sense. But I don't want to send this perfectly good piece to a landfill either, not when it can easily be rehabilitated to last another 20 years, in any fabric I want...

Speaking of which, here are a couple of the fabrics I've been considering were we to reupholster:

Trina Turk's Peacock, (which I think may be too much):
Dwell's IKAT Citrine:
I just don't know what to do.

1. Nothing. Live with the tears until we feel comfortable spending on redoing the sofa right.
2. Reupholster: spend the money and get the sofa we want and the pleasure of knowing we saved something from landfill death. Try not to be so fussy about money.
3. Reupholster just the cushions.
4. Ditch this sofa and get something affordable new/old from Craigslist or similar.

You guys are stylish and smart. Weigh in, would you? And if you have fabric ideas, I'd love to hear them. If we reupholster, we're going to have the lovely Staci at Switch Studio do the work... which means we also will have to haul the piece to and from Oakville from Toronto...

Sigh. I am paralysed. Help!
 
 
First off, friends, my apartment was featured on Apartment Therapy today. Abby Cook took photos that are way better than anything I can imagine taking, ever, so you should really check it out.

In the piece, I mention my hall credenza, that I sort of built/upcycled from kitchen cabinets. Thought I'd use today to talk about how I made it. Here goes:

Initially, my front hall (which is also a main wall in my living room) looked like this:
Picture
And it was fine, I guess. But it was also busy. And it started to annoy me. I turned the spines of my books backwards in an effort to create more calm, but it didn't really work. How could I store all the stuff I needed to store, while leaving plenty of room for people to walk down the hall? Closed bookcases? A shallow console? What?

I hunted around, but I couldn't find a piece that suited my needs ANYWHERE. Billy bookcases from IKEA (with doors) were an option, but I just didn't want Billys. Traditional consoles were too fat. So I decided to hack something together.

Here's what I used:
3 assembled kitchen cabinet uppers (Home Depot)
8 fence post spires for legs (Home Depot)
6 pieces of linking hardware  (two-screw pieces, 3 across each seam)
Long wood screws (to drill down into the legs from inside the cabinets)
White primer and white paint + a "velvet" roller
6 ring pulls (Lee Valley Hardware) to attach to the centre of each door

Picture
Picture
Once the three cabinets were linked into one big long piece, and the spires were drilled into and attached as legs, the thing was a behemoth. I needed help to lift it upright. But it sure provides a lot of storage.

I stocked in my books and whatnot and lived with it in its dark brown form for awhile until I settled on painting it white. I should have used melamine paint, but I didn't. I used regular latex paint and primer. And such paint can chip easily. (It already has, in fact.) But oh well. Melamine paint is too hard to work with/too stinky. I didn't paint the insides of the cabinets. Only the outsides.

The final touch was adding brass hardware to the centre of each door.

Here's the end result, as shot by Abby for Apartment Therapy:
Picture
SO MUCH STORAGE and it's all hidden away. And in my opinion, it doesn't look like a set of kitchen cabinets anymore.

It's fantabulous if I do say so myself. (And I do. I do indeed.)
 
 
A long while back, I posted about a project where I decoupaged some birds onto an old stool. Here's a photo to refresh your memory.
I was never perfectly happy with how this project turned out. I felt it needed more birds. Or that the birds weren't well laid out.

But it was good enough, and for a long time, I lived with it.

Then, thanks to a hot cup and a low attention span, I ruined it. I scalded the top of the stool and a big fat chunk of varnish, bird and paint tore away.

This gave me an opportunity to start again.

Using my handy-dandy oscillating sander, I stripped away the old decoupage. (I should have used paint stripper for this. I'm so lazy. Don't be lazy like me. Do things right and you'll save yourself heartache.)

I brushed on a new under-coat of black paint, then found, printed and carefully cut out a picture of a water lily to take the place of the lost birds.

Here's how it turned out:
I used regular paper and my home printer for the water lily. Again, not wise. Decoupage works a lot better with thick paper and inks that won't bleed.

I re-decoupaged the top of the stool with the flower. The thin paper wrinkled and I had major bubble problems along the way. I tried to solve these with a needle and patience.

The result is imperfect. If you look at the stool up close, you can see that the varnish isn't smooth and the flower itself is a bit blurred, but nonetheless, I am very happy with it. It's better than the birds, I think. The water lily has more impact.

I did the whole thing while watching a movie on a Saturday afternoon, so it wasn't exactly hard labour.

Have you decoupaged anything recently?