Okay, so awhile back, I posted about updating my guest room/office/imaginary nursery/sick room/we're-having-a-fight-and-am-sick-of-your-stupid-face room. (Let's be honest, people. If you've got a two bedroom apartment, and two people live in it, that extra room probably wears a lot of hats.) 

I talked about painting it green.

Though several months have passed, I have not actually painted it green. There's so much work I would need to do ... emptying the space, cleaning it properly, getting the paint, etc. Overwhelming. So I've pushed painting to the end of my to-do list and have tried to forget about it. 

Still, redecorating the room has been on my mind. I've just decided that focussing on the furniture and layout would be a simpler first step. Things are in motion. So I thought I'd talk a little bit about textiles and what I've been planning in the bed-department.

You've seen the room has it was, right? Two twin beds? Very country/white. I'm so tired of it. I want more colour. I want one bed, not two. I want more storage. I want to bring up some antiques from the basement. 
Photo by Abby Cook for Apartment Therapy.
I bought the mattresses and box springs for these twin babies from Craigslist and at Value Village. They are very so-so. I am thinking of throwing away one box spring/mattress combo, and keeping on in storage for potential future use. (Anyone want a free twin set? Anyone?) 

My antique three quarter bed needs a good home, having returned from a five-year college sojourn with my brother-in-law in Montreal. Before that, it was my bed at my single-lady apartment, and before that, it was the guest bed at my parents' house. Before THAT, it was my high school/childhood bed, and before that, it was my great grandmother's. The mattress has been replaced relatively recently, thank goodness, but other than that, it's just the bed that keeps on giving. (That sounded dirty and I'm sorry.) I'm using it instead of the twins.

Getting sheets for a 3/4 is a pain-in-the-bee-hind, I can tell you. However, certain retailer such as Beddington's do carry them. I just use a double or queen comforter/duvet on top, even though it's a little too big.

I've been shopping for new duvet covers, which is actually a pretty fun activity. There are plenty of options to choose from. Having been to Bed Bath & Beyond -- or Bed Bath & Barf, as it should be called* -- and seen their $300+ options, I think I'm likely going to go with something from Ikea. Ikea hasn't failed me yet. I have a couple of Ikea duvet covers that have been going strong for 10+ years. Cotton that gets better with age is really the only reasonable choice. 

ANYWAY, here are some of the bedding looks I've been keeping my eye on at everybody's favourite Scandinavian superstore. 
The ÅKERTISTEL set is my current favourite. Look how bright it is! Love. Only $34.99 for a double/queen.
With yellow bedding, the room could end up looking something like this:
This image is all over the web, with no proper credit. Know the source? Please share.
The NYPONROS set is pretty classic, and only $54.99. But would it look juvenile/too casual?
Stripey, seersucker-esque bedding could look something like this:
Williams Sonoma Home, no longer available. 
The BJÖRNLOKA set is very, very tempting. Only $44.99, and it looks like grain sacks/vintage linen.
This gain sack-style number could look like this:
Ikea Spain promo shot.
Finally, we have the ÄNGSÖRT set. It's pretty classic, made of real linen, priced at $89.99.
Blue and white bedding is very common. This particularly choice has been styled thus:
Styling by Camilla Krishnaswamy, photo by Idha Lindhag via IKEA Livet Hemma.
Oh god. What should I DO? Don't even get me started talking about the curtains. We'll have to save talking about additional textiles for another day.

*Bed Bath & Beyond smells like perfumed ass. I'm sorry, but it does. It's also extremely overpriced, the website doesn't let you see what's available in-store, and going into one gives me an insta-headache. Irritating as all heck.
 
 
If you read the blog with any regularity, you probably know that I live in a rental.

And living in a rental means putting up with some stuff. But it doesn't mean you have to put up with everything.

Case in point: my linen closet. My linen closet is ugly. And not only is it ugly, but half the shelves are papered with a horrible, peeling vinyl.

Lemme show you:
Picture
Yuck, right?

Now let's take a closer look at that vinyl.
Picture
Closer ...
Picture
Oh yeah, baby! Boobalicious! It's some sort of Eve-themed kitch, and in a way, I like it. It's sort of funny. But it's also torn. And only on half the shelves. And I'm not sure the inside of a linen closet warrants amusing bare breast art from the 1980s anyway.

I mean, if I was going to go that way, I'd do it out in the open. (Wouldn't I?)

Anyway. The closet needs a makeover. Here are some inspiration shots.
This is from a Style At Home story by Margot Austin, with photography by Paul Chmielowiec.
This image came from the Au Lit Fine Linens blog. I hope it's theirs. Who is the photog?
Picture
These images are from the blog Simplicity in the South.
Better than the boobies? I think so. But that's just me. What do you think?
 
 
I know I haven't been "chic" blogging much. I KNOW, okay? It's just that my house is decorated already. I am cheap. And I feel like it's nutso to change things for no good reason. Still, I can't seem to stop window shopping. I look at fixer-upper houses in small town America that I can't afford, even if I was American. I look at clothes I don't need. I look at paint samples. I look at furniture that wouldn't fit in my apartment even if I had none of the crap I already have. I look at Craigslist. 

And damn ...  Craigslist Toronto sure has become depressing. 

What has happened, you guys? WHAT HAPPENED? Just a few years ago, I was posting about all the "bargain" finds I was coming across. And now? There aren't any. I mean, maybe there are, but I haven't seen any real bargains in awhile. The prices are absolutely out of control and it's really fucking depressing.

This is not to say that these items aren't "worth" what they cost (although in some cases they're not), I am just lamenting the disappearance of a bargain. Not everyone is a dealer! What has happened to convince Joe Average that the couch from his grandfather's basement that he just inherited for free should be priced exactly as it would be if it was housed in a store on Queen West? And what is it about midcentury stuff that makes it command top dollar? Anything "teak" whether truly teak or not, comes at a premium. What overhead are these people trying to cover, exactly? Arg. Am I way off base here? I don't know. Feel free to criticize if you like. I can take it. (But can we agree that it is weird and unnecessary to make the word TEAK and only the word TEAK in all caps, all the time? WE AGREE THAT WE ALL UNDERSTAND WHAT TEAK IS, EVEN WHEN IT IS WRITTEN NORMALLY? Yes? Okay, then.) 

So, anyway, here are some things I've recently spotted, and a few I like, that are nonetheless too expensive for a bargain hunter like me to even consider. One day, maybe I'll move away from Toronto and rediscover the world of bargains. Until then ... I sigh. Click the images to go to each respective listing.
Here we have a midmod magazine holder for $125.
Here is an admittedly lovely Danish modern love-seat for $1650.
Here's a trunk with some legs attached, making it a coffee table. It costs $345.
Here are a couple of "lounge chairs" with burnt-orange upholstery for a mere $1195.
This sofa is $500 ($900 if you want the matching chair and love-seat).
This green wonder is $700.
And of course, here we have a lovely credenza for the bargain price of $945.

Like I said, tell me I'm being unfair here. The sad thing is, this stuff will probably sell in no time. It's not like high-priced items are languishing. Stuff I found for this post just a couple of days ago is already gone. Stupid Craigslist.
 
 
Remember Sarah Richardson? She of the statement necklace? She of the white jeans? Well, she's back with another new show called Real Potential.
Back in 2010, I was invited to a preview sort of thing about Sarah's then-new show, Sarah 101. Sadly, I did not like the show much, and said so in my blog about it in early 2011. I haven't been invited to a Sarah Richardson event since. Haha. I can't say this bothers me much. So much of PR and Journalism is bullshit, and if I'm no longer in the loop, that must mean I'm not part of the bullshit, and that makes me happy.

Anyway, Sarah 101 wasn't good. It just wasn't. It wasn't horrible, but it was a disappointment. The show seemed to dumb down everything that had been appealing about Richardson's past shows. It was so banal. And it didn't last long. Whether by design or because someone or (many someones) on the team realized it was a bust, it seems to have ended after only two short seasons. 

Now, however, Sarah is back. And I'm happy report that Real Potential is a lot better than Sarah 101. A LOT better.
The show is three quarters about real-estate shopping. Sarah helps a house-hunting couple shop for a place, gives them three options, they pick one and buy it, and then, finally, she helps improve the chosen home by renovating one room or area. The show is 22 minutes long and in my opinion, is a little light on the design and decorating side of things, but considering how much the masses seem to love real estate, the format was probably a smart choice. It debuted a couple of weeks ago and several episodes have already aired. I watched them online, though the HGTV website
The design work is a lot more aspirational than the work on Sarah 101. It's much more in-line with the stuff done on Design Inc., which I was happy to see. Sarah uses a lot more colour than she used to, and the rooms she's done on Real Potential reflect that. I'm not sure how I feel about this change. Colour is good, but sometimes, the blues Sarah highlights, in particular, feel a bit grating to me, but different strokes for different folks and all that. More colour is probably not a bad thing. (I just really hated these chairs, below.)
My final verdict is this: Real Potential is okay. Good, even. The real estate bit isn't that interesting to me, personally, but you might like it. And if you like Sarah, you will probably enjoy the show in general. So far, Tommy hasn't been seen, and I'm sure some fans will be bummed about that, but Richardson herself is there in all her statement-jewellery-wearing, sarcastic glory. Give it a try.
 
 
I know. I haven't posted in ages. The chic blog has been effectively dead all summer. It's not my fault. It's just that my apartment is small, and it's done. AND I don't really have the money or desire to redecorate over and over again. So, lately, I just haven't had much to say. 

Then, the other night, I decided my office/guest room isn't working for me anymore. It's most often a trash-room, where we put things that we are hiding from guests. We sometimes have one person stay over, but rarely two, so the twin beds, while great in theory, haven't been all that useful. And finally, we need some more storage, and this room could easily house some if it was reconfigured.

Mostly, though, I want to change the colour. I want to paint the room green. Dark green. Maybe sage green. I'm not sure. Here's how it looks right now.
It's cute. Very white and serene and country-ish. But I want to go in a completely different direction. Here are some inspiration shots.
I think this pic is from Atlanta Homes Magazine. If you know anything more about the source, please let me know.
This one is apparently a room in a cottage in the Hamptons by Fox Nahem.
Annoyingly, I was not able to find credit info on this photo. Found it here
Unfortunately, here's another with no credit. Found it here. If you know the origin, please comment.
Am I crazy? Green might not be an easy colour to work with. Have I lost my mind? Should I go for it? Is green the best idea anyone's ever had? Please comment. I need your help.
 
 
Lamps and pillows (and chairs) are some of my very favourite things. My basement is full of extras at the moment, mostly because I often can't help myself. And shops like Toronto's own Mod Pieces are no help at all. 

It's local, it's filled with awesome restyled vintage lamps, amazing and unique lampshades, and now, throw pillows. There are so many things in stock that I want. Like, RIGHT now. 

NOWNOWNOWNOWNOW. I am full of covetous feelings, in particular for this pair of lamps that I just realized have already sold, sadly. 
But fear not! My favourite lamps have already been scooped up, but there are plenty of beautiful things left. Here are some photos from the shop's recent Summer 2013 look book. (Cropped to fit. They  look better in all their glory here.) 
Happily for you guys, shop owner Lia tells me that Mod Pieces is having their annual "Shop Like a Designer" sale this very weekend. All weekend long, the store is extending their trade discount of 25% off to the general public. It applies to all items in the online store. 

There are some SUPER deals in the sale section at the moment, so I suggest you look there first.
According to Lia, "The sale begins this Friday, June 28th and ends at midnight on Monday, July 1st. All buyers have to do is enter coupon code "OHCANADA" at checkout to save 25% on their entire order." 

Anyway, guys, I just wanted to let you know. I have not been doing a lot of blogging lately, but I hope to get back into the swing of things soon.
 
 
Hey guys. Have any of you seen The Listings List? It's basically a Tumblr blog filled with curated picks from Toronto's Craiglist and Kijiji offerings. 
I've been following it for a few weeks and here's what I think: There are pros and cons. Sure, the curation is good. The items featured on The Listings List are basically the coolest, most designer-friendly things available on Craigslist/Kijiji (in the area) and following the TLL is therefore fun and could be a serious time saver. No more slogging through mountains of crap to find the best stuff, right?

But... BUT...

Isn't slogging through mountains of crap kind of what online garage sale-ing is all about? I mean, if someone else does the work for you, is the hunt compromised? Is the find as satisfying? Isn't it better to earn a deal rather than having one handed to you? 

I'm not sure.

Besides that, TLL might not be as practical as it seems. Great items worth curating have a tendency to go fast, and once something has been featured on the site, it goes even faster. I've already experienced seeing more than one great thing on TLL, only to find it already sold. 

Anyway. Here are some of my favourite finds, found on TLL just today. At the time of this posting, I think they're all still available.
Anyway, what do you think? Do you love The Listing List or would you rather do the hunting all by yourself?
 
 
The Door Store keeps popping up in my life lately. A few weeks ago, some friends bought a pair of doors there and fashioned them into a headboard. (See a photo of their project at the end of this post.) Then, someone emailed me asking about knocker hardware for their front door and I sent them a link to my own front door update (which included a Door Store knocker). Finally, just today, while flipping through the Latest issue of Style at Home I saw a little thing about fun, animal-shaped hooks (for hanging coats and whatnot) and a few of the options were Door Store picks at excellent prices. Anyway, I think the universe is trying to tell me to write something about The Door Store, so here I am, writing something.

I've got to plug the aforementioned coat hooks. They're adorable, and I believe they're only about $10 a piece. 
Cute, no? And these prices are much better than the ones at Anthro. (And besides, screw Anthro. They are so annoying.) 

As for actual doors, the shop's selection is huge and worth checking out in person, but here are a few of my personal favourites I plucked from the currently-available mech photos on the website.
Front and back of the same door. LOVE that green.
More colourful vintage choices. More love.
A couple of international choices, from Paris and Egypt respectively, I think.
Finally, check out the headboard I mentioned in the first paragraph - the one my friends Josh and Megan made with two doors they snagged at The Door Store.  (They paid $375 for the pair.) I think these were outhouse doors once upon a time, but I'm loving their second life.
I really wish I had an inch of space or that I needed a replacement door... ANY real excuse to buy some stuff, frankly. I'd be off to The Door Store immediately. Alas, I must live vicariously. If any of you have some DS finds you want to share, I'd love to hear about 'em in the comments.
 
 
Hey y'allyall. I know I've been remiss. I haven't posted anything new to the Chic or Reviews  blogs in AGES. I promise I'm working on a plan to get back into it on a regular basis, but in the meantime, I just had to tell you about a couple of bad ass deals I spotted this very afternoon at Toronto's own Honest Ed's.


First up: A kelly green trench coat. Brand: Ann Taylor. Original price: Around $180. Ed's Price: $12.99. Sizes: XS to XL and some variety of petites as well. It's looks kinda, but not exactly like this:
I seriously love this coat. I have no idea why the original Ann Taylor merchant had a problem with it. The whole lot I saw seemed fine. The buttons are a lovely tortoise colour, but could possibly use some reinforcement stiching (but I've had that problem even with garments from The Bay). The fabric - heavy and cottony, not unlike a light denim - seems to be in great shape and the green colouring is vibrant. This is one chic coat, my friends. AND IT'S ONLY $12.99.

Also, I nabbed a little pair of classic yellow rain boots. They look just like Tretorn Skerry Boots, which were designed for sailing (so chi chi). Tretorn Boots cost about $70. These look-a-likes? Ed's Price: $9.99. Ed's is carrying women's sizes 6 to 9 only. Here's how they look:
The boots are lined with a thin layer of cozy flannel or felt, so they're pretty comfy. I am not sure how they ended up at Ed's but I will say that I notice they have one irregularity: with this style of boot, at the top back, you usually see a little tab meant to help pull the boot on and off. At Ed's these tabs have all been cut off. This doesn't affect functionality or style, but it's worth noting.* SEE UPDATE BELOW!

There are lots of other fun finds at Honest Ed's right now. I had forgotten how much I loved the place. When I lived in the Annex, it was a go-to shopping haunt.

Now, I warn you, there's lots of junk to sift through if you want to find gems like these, but it's fun and so worth it. And if you don't believe me, I invite you to consider my favourite-ever Honest Ed's find: a vintage-style one-piece bathing suit. Classic black and white stripes. It looked like this and I got it back in 2008:
How much did I pay? $2.99. Two dollars and ninety-nine cents, people. Chic and cheap. My favourite.

Anyway, guys. If those yellow rain boots or that kelly green trench appeal, I advise you to hop on down to Honest Ed's before they're gone. 

As for blogging on the Chic page, like I said, I'm going to try to get back into it soon. Hang tight.

* UPDATE: Just 3 weeks into wearing the yellow boots, the rubber was torn in multiple places. They now suck up water better than they keep it out. So that's ten bucks down the drain. The green coat however, is awesome. I hand-stitched a little button reinforcement and the thing is wearing  great.
 
 
So, I was invited to the media breakfast/preview of the One Of A Kind Christmas Show which kicked off down at the Ex this morning. (I don't know why I get invited to this sort of thing, because I am a big nobody. And let me tell you, watching the vendors get excited by my media pass and fancy camera kind of broke my heart, but I digress.) Invited I was, and went I did. I mean, the show costs $12/$14 (online/in-person) to get in, and as press, I could get in for free. Between that and the offer of a free doughnut, I wasn't going to say no.

And for once, I did the show right. I went up and down EVERY AISLE IN THE PLACE. My feet are currently incredibly sore and I'm a little grumpy, but I feel like I saw everything and took note of everything that really caught my eye. And I took photos of all of it, which I will now share with you, but first, a bit of a caveat:

As huge as this post is, it features only a small fraction of what's on display. (I believe there are more than 800 OOAK booths/vendors this year.) My personality means I'm drawn to decorative objects, fine art, and that sort of thing. Things I generally avoid, and that you won't likely see here, but that are in abundance at the show: kids' stuff, woollens and knits, clothing, most wood and leather goods, art glass and most pottery, food and edibles. I also steered clear of most of the cutesy stuff (felted creatures, owls, bunnies, and the like), most of the jewellery, most of the furniture, and all of the body/beauty products. All of that stuff is amazing in its own right, but I only stopped to photograph the things that really jumped out at me, which may not be what will jump out at you. So... there. End caveat.

Now, some pro tips:

  • Work methodically. I saw every booth, starting at the east end of the centre (end of the alphabet) and moving west, winding up and down every aisle along the way. I know it seems a little anal, but making a plan for the path you want to take (and sticking to it) is a smart move. The show is overwhelming otherwise.
  • Wear comfy shoes. SERIOUSLY. I was wearing Toms and my feet are still killing. (I saw a couple over-zealous young "journalists" in 4-5 inch heels, and I bet they want to kill themselves right now.)
  • Give yourself a good three hours for your visit. Or even a full 1/2 day. It's better not to be rushed and if you want to see the whole thing, it's going to take you a long time. (Note: if you're bringing babies or little kids with you, as I noticed many did... well, you're crazy. What can I say? The rules don't apply. You may need 12 hours. Who knows?)
  • Eat, hydrate and let yourself rest from time to time.
  • CHECK YOUR COAT. It's hot as heck in the Direct Energy Centre. I have no idea why. Coat Check costs $2, but it's worth it.

Okay, enough with the tips. Are you ready to see what I saw? HERE GOES!
Stewart Jones: Booth R-57
These fine art paintings by local artist Stewart Jones were the very first thing that caught my eye. I stopped to snap this pic as I made my way along the back wall (before even making it to the first official aisle). Jones does "urban landscapes" and I'm sure his work doesn't come cheap, but I like the realness of his subject matter. Very Toronto.
Daniel Pollak Accessories: Booth T-54
I know I said I steered clear of most of the jewellery, but this booth was so glittery, it caught my eye immediately. So decadent, so sparkly, so over-the-top. It's fashion/costume jewellery, rather than fine jewellery, but I enjoyed it.
Kat Kaland: Booth Y-62
Artist Kat Kaland makes toys, illustrations, accessories, etc. She told me when I popped by that she's moving away from the toys and focussing more on art, and having seen the art -- paintings incorporating doll parts -- just my kind of creepy -- I think she's making a good decision. The pieces shown here, with the hands and the little 3D girl figures, go for about $200.
Moon Rox: Booth Y-20
Again, jewellery is hardly my thing, but it was early in the day and this gold-toned costume statement necklace caught my eye. Moon Rox is owned/designed by a woman named Monique V. Chan. 
Noelle Hamlyn: Booth W-43
Hamlyn has been at the OOAK show before, showing off her repurposed art/purses made from books and magazines, but she's also doing framed artworks now, using the insides of the books (paper, illustration, etc.) as opposed to the outsides. Now, in general, I'm a "READ BOOKS, DON'T CUT THEM UP" sort of person, but I like what Noelle does nonetheless. Her bigger art pieces are about $165, while the smaller ones are about $90.
iDENTITY: Booth W-09
I stopped at this booth because of the hipster-factor. Megan Irish makes these pillows from recycled blankets (vintage Pendletons, The Bay/HSBC classics, army blankets, etc.) hipsterified with prints on top. Her company makes tees and other apparel as well, I think. The pillows are $48 to $108. (The HSBC ones are more pricey than the others.) 
Heyday Design: Booth V-09
Hailing from Vancouver, Claire Madill makes these neat ceramic mason jars. You could achieve the same effect by painting a glass mason jar with flat paint, but nonetheless, these are nice as far a ceramics/porcelain go.
C Comme Ca: Booth V-43
Artist Cindy Cantin makes these bags and wallets from leather and wool felt and I thought they were super chic. 
Dapila: Booth T-15
This stuff looks like ceramic, but it's mostly made of cement, which is sort of neat. I know body-parts and surrealist stuff isn't everyone's bag, but I sort of love it. I like the idea of using some of the finger sculptures to hold everyday objects like makeup brushes or razors. 

Eric Seguin: Booth S-53
This is not a booth I'd usually stop at, filled as it was with knives and such, but I a few natural skulls caught my eye. These are otter, fox and mink, respectively. I have no idea why I like 'em, but I do.
Felt Factory: Booth R-19
These felt, mounted animal head pieces by artist Sabine Alpers are very well done. I love natural animal stuff (vintage, generally) but these might please the vegan in you if the real deal creeps you out.
Laurie Sponagle: Booth Q-31
These AH-MAZING charcoal drawings look like photographs. No kidding. That's how amazing they are. Artist Laurie Sponagle really stands out. Bigger pieces are priced at $1600, but there's a nice range of sizes available and the smaller pieces start at $250.
Tammy Shane: Booth Q-24
Tammy Shane is another stand-out fine artist exhibiting at the OOAK show. I would have bought one of her pieces in a heart beat if I could have. Gorgeous. Truly. I mean, look at those owls! Those birds! That sky! Love.
Yves' Drop: Booth N-06
Vintage neckties made awesome? Just my sort of thing. I kind of wish my husband would wear a tie every day. (And if he did, I get him a few of these babies.) 
Tat Chao Design: Booth N-34
These glass candlesticks were pretty fabulous - substantial, yet delicate at the same time. Very unique. Tat Chao is a nice new addition to this year's show.
Sarah Tacoma: Booth L-23
Photography artist Sarah Tacoma caught my eye. I love how she captures stark branches and winter trees. And her pieces have rustic wood frames/mounts that I liked.
Sarah Hillock: Booth K-24
Sarah Hillock's huge paintings of farm animals (mostly cows, from what I saw) done on mylar, were maybe the most striking, unique thing at the entire OOAK show. I've never seen anything like Hillock's work in person before, and I have to say, I've never wanted a huge painting of a cow more. I mean... they're cows. And I'm a city girl. Yet I want one. Immediately.
Pepper Mills: Booth G-03
The name Pepper Mills kind of speaks for itself. These handmade, OOAK wood objects by Cam Lavers Designs Inc. aren't new to the show, but I've always liked them.
Him by Shima Itabashi: Booth D-5
I know I said I was going to stay away from cutie-pie felted things, but this booth's wee decorations spoke to me more than the works of other felt artists doing similar things. There's something really authentic and adorable about Him pieces and designer Shima Itabashi seems like a sweetheart. Her English isn't perfect, but that just adds to the charm.
Ateliers des Cent-ans: Booth C-36
This booth was a bit spare, but what I saw of the porcelain and wood pieces inside definitely left an impression. The stuff I loved most was delicate and white, with slim blue nautical patterning. Very chic.
Grace Eunmie Lee: Booth C-44
Some of Grace Eunmie Lee's wee white ceramics are highlighted with bits of shiny metallic and colour, but her monochrome pieces are my favourites. I love their small stature and weird, offbeat cuteness. Some of these wee works are merely decorative, while others are functional (salt and pepper shakers, for example).
Evelyne Rivest Savignac: Booth I-37
Interestingly, while I initially passed this booth during my official "go down every aisle" run, I didn't stop at it the first time around. I'm not sure why. Maybe the crowds were too thick and I didn't get a good look. Happily, I needed to hit a bank machine before leaving which took me on a second trip down row "i" and that's when I noticed Evelyne Rivest Savignac's pretty ceramics. The artist told me she's been a vendor at the show for the last eight years, so if you've been in the past, you may remember her. I was especially charmed by her little leafy bowls. They have the vibe of something sold at Anthropologie (but are much more authentic, of course). 
And that's IT. Honestly, I saw some other stuff I liked (bow-ties by Genuine Article, for example.) but I just can't write about any more. This is already the most unwieldy blog post I've ever written. 

Go to the show. Enjoy. Support your indie artists and crafty friends. And remember, wear comfy shoes. And if you're not too exhausted afterwards, tell me what you got! 

P.S. Sorry about the lighting in some of these shots. I'm no photographer and since artists provide their own light at each booth, dimness is an issue.

P.P.S. Shout-outs to my web friends Jen @ Rambling Renovators and Staci @ Switch Studio for letting me talk their ears off at breakfast, Pam @ Cherish Toronto for being my favourite person to run into at these things, and House & Home magazine staffer/editor Margot Austin (who I may or may not have terrified when I declared "I'm obsessed with you!" - because I'm the sort of weirdo who says things like that, apparently). Sigh.